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Let the Right One In has made many horror "Best of..." lists for it's great story that makes the vampire elements secondary and incidental. It's boy-meets-girl in a very simplistic and pure approach. The boy is 12 and is a bullied only child from two divorced parents. The dad provides little structure and the mom is left to basically be the iron fist, preventing her from finding a healthy balance between discipline and friendship that every parent needs. It's not a healthy environment and the boy has no self esteem or confidence. He lies about bruises and cuts from his bullying at school.
Enter the girl, a seeming 12 years old herself, but really she's a 100+ year old vampire who moved into the apartment next door. They meet in the courtyard one night and a tentative friendship begins to form, even though each one makes sure to tell the other how disinterested in having friends they are. The rapport between the two kids is great, and it's funny to watch them being children, then realizing that one of them has been around for centuries. In the background there are townsfolk reacting to the various murders perpetrated by the vampire's adult "helper". The movie moves at its own pace, which might be a bit slow for some, but the story is genuinely touching and the gore factor is something you forget about between the sparse, but vivid, bloodlettings.
Half-way through the movie, which follows very classic vampire mythology and rules, it becomes apparent that the title has a three-fold meaning: the girl is an old vampire and has to be careful who she trusts, the boy is also careful about who he "lets in" because of his experiences with bullies and alienation from his parents, and they each have to be careful about who they let in to their personal living spaces. A vampire cannot enter a dwelling unless he/she has been invited, and we find out what happens when they try without that formal invitation. The boy needs to be careful who he lets into his room, and he makes a good choice with the girl; she is a vampire in whom he can trust and confide.
The dark, long winter of Sweden makes for a fantastic and unsettling backdrop. Snow has never looked so beautiful, yet after watching a movie like 30 Days of Night, you're reminded of how long those nights can last in the winter months and how that can drain hope and joie de vivre. The most suicides occur in the winter, and I can rightly assume, the most vampiric killings. Let the Right One In is a beautiful film with a beautiful story. It has horror elements, but when you leave the theater you'll only be thinking of the great coming together of two beings who found friendship, not the eerie scenes of blood-sucking.
Cheesy, yes, apt, possibly. I finally got around to finishing the meagre 40-pages of The Dunwich Horror, by H.P. Lovecraft. I had watched the 1970 film version not long ago and, having read that the movie was a far from accurate adaptation, I decided to read the original tale.
About halfway through reading I figured out that the movie is as far from accurate as one can get. Something big must have happened half-way, I hear you say to yourself. Well you're right. The main character of the movie dies half-way through the book. And he looks nothing like his film counter-part either. The story concerns an apparently fatherless man who seeks out a book called the Necronomicon in which he hopes to find spells that will allow him to conjure up the Great Old Ones and take over the Earth. Later in the book you find out that he has a twin brother, who is pretty much a complete monster, who eats raw cattle and lives in the barn. The main character himself, Wilbur Whateley, is 9 feet tall and wears baggy clothes to hide his deranged lower half. You find out, after he dies, that his legs and feet resemble those of an elephant, and he has many tentacles coming out of his stomach and back. The filmmakers thought that Wilbur should look like this instead:

Lovecraft adaptations are made by people who love Lovecraft, but who just get so excited about making their little opus/ode/homage that they fuck it all up. Not once have I seen a movie even begin to communicate the eerie feeling I get when reading Lovecraft's tales. The only person I'd like to see try would be Daren Aronofsky. I think he could do a great job. I'd also like him to use the all in-camera effects from The Fountain because there was no CGI in that movie, and everything had a great texture and tangible nature to it. Maybe this upcoming adaptation will be a bit better:


So VHS has had a colored history, but it's one I wouldn't trade for anything. It's too bad that kids these days will never have the fun of watching a movie with all the imperfections that tapes had to offer. Scrubbing the negative clean for Star Wars was ultimately a great thing, as a movie like that needs to look good. Cleaning up The Texas Chain Saw Massacre? I'd rather watch it on the 15-year old tape we rented where the grime of the Hewitt house was magnified by the grime on the cassette. Besides, the phrase "stash of porno DVDs" just doesn't have the same ring to it.
Two blog posts in one day! Yay!!
Toshiba again talked about its upcoming Cell TV technology which utilizes the IBM/Sony PowerPC-based Cell processor to allow for advanced video processing and frame interpolation o both standard definition and high definition content. There is a lot being talked about, and a working demo on the show floor, however now they are claiming that this will be shipping in 2009! The new Cell TV will feature:
The Cell TV will ultimately combine elements of IPTV, multi-source file compatibility (HDD, SD, USB, etc), DLNA support for remote file sharing/streaming, and full (and largely transparent) Internet support.
On the real cutting edge side of the Cell TV, the system is said to be able to handle six (6) simultaneous HD streams at once. That means it can record 6 HD streams to the drive or storage system simultaneously. It will utilize a completely new 3D graphical user interface (GUI) and provide a new way of accessing data and programming material easily and from multiple locations. DLNA support and advanced networking would indicate that this box should be able to serve an entire home full of HD displays and enable itself to be a potential AV hub for large amounts of content.
With that said, Toshiba claims they will release this technology this year, however we'll refrain from holding our breath until we see an actual set-top product arrive on the market. It's certainly got potential and was the most exciting thing we heard at Toshiba's press event.
For additional information please visit www.tacp.toshiba.com.
So the device that you're sitting in front of right now will be what televisions will change into in soon. You can already get PC-driven home theater systems, and Apple TV is a pretty big deal these days too. (Even though NetGear debuted their "AppleTV-killer" at CES as well.) So TVs and are getting closer to computers all the time. But Toshiba wants to make monitors and then couple them with cell-powered CPUs of a fashion that can bring you a cable interface that more closely resembles the internet. It's an exciting thing. Netflix already has their set-top box that streams movies stright from your queue online, so this is just expanding on that a bit.
This past year, 2008, I had the chance to see a couple movie marathons. We didn't watch horror films, but there were quite a few scenes of bloody carnage. In case you haven't guessed...and you haven't...I sat through all four Rambo movies in one night. (I also watched the first three Indiana Jones movies twice in two days, but that will have to wait.) I don't know how many of you have seen a Rambo film, much less all of them, but please take me word for it that Rambo shooting someone in the jungles of Vietnam is the same as Rambo shooting someone in Afghanistan, Burma and Oregon. The only thing that changes are some of the plants and the amount of blood. I confess that I fell asleep and Rambo I-III started to blend together.
The subtitles in Rambo III follow this pattern: translate the most mundane Russian dialogue spoken by the extras; fail to translate important Russian dialogue by major players. An important Russian torturer yells commands as the American captive, but we get no subtitles letting us know what he's saying. This would be an interesting device, reminding us that when we are interrogated by a foreigner, we don't know what is being yelled at us. However, a few minutes later we get a scene with Rambo creeping through the Russian camp and overhearing two guards talking. This should also warrant zero subtitles as it's completely unimportant, but no...we find out that they're talking about what time dinner is. That complete reversal of correct subtitle usage is fairly indicative of Rambo III. There are Afghan enemies and Russian enemies, but there are also Afghan good guys, and you can't tell who's who. (All Russians are bad.) So I slept, like a baby, during some intense machine gun fire and a lot of exploding-tip arrows.
I recommend, even though I just spent a few paragraphs mud-slinging, that you check out any or all of the Rambo movies, because they're a lot of fun, taken at face value. Then you can go watch this and actually appreciate it: